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In this lesson, we discuss the factors a creator should consider when looking for someone to create a comic book with. We examine the business, legal, and practical aspects of sharing your story with another creator for what could be the rest of your life.
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In this lesson, we learn how to use AI systems like ChatGPT to improve the quality of your comic book marketing without sacrificing accuracy, integrity, or originality.
In this lesson, we discuss comic book marketing in real life, giving you tips on what shows to attend, how to plan and pay for the event, how to measure success, and how to lose a potential reader in ten seconds or less.
In this lesson, we take the basic ideas about comic book marketing and apply them to digital communities. You’ll learn how to use social media, newsletters, and websites to drive your readers to your comic and each other.
In this lesson, we start a new block of classes on comic book marketing. This first class covered the basic principles of marketing and apply them to your business and help you reach the people who want to read your comic.
In a special lesson for anyone looking for a creator-owned deal, we talk about what an agent does, how to find an agent, and how to work with them to find the right home for your comic. Publisher’s Marketplace
Just in time for the WGA strike, we lay out the current environment for comic book media, describe the economic factors that go into film production, explain the concept behind the option/purchase agreement, compare film revenue to publishing costs, explore additional sources of film income and offer tips on how to position Hollywood in your publishing plans.
In this lesson, Andy Schmidt brings all his experience as the head of ONS Printing to explain the practical details of printing comics from finding a printer, getting a quote, managing your timelines, and shipping your books where they need to go in a way that can save you money.
In this lesson, we navigate the pitfalls and potential of working with another publisher to get your books out into the world. We look at the history of creator-owned deals in comics, explore the current landscape of the creator-owned market and examine what you need to understand about your rights, revenue, and responsibilities for every creator-owned deal.
This lesson will help you understand how to structure your freelance talent agreements for your comics. We start with a general overview of the law governing work-for-hire contracts, then focus on the specific structure of a WFH agreement. Finally, we break down each of the significant business terms and discuss some best practices that will help you negotiate the right deal for your books.
