Paul Allor (Teenage Mutant Ninja Turtles, Power Rangers, GI Joe, TET) joins the podcast to talk about creating one-shots. Storytelling approach, telling three acts in 20-22 pages, and thinking about arcs in that amount of space.
CE Alum Frank Gogol (GRIEF, DEAD END KIDS) talks with Jim and Joey about his comics experiences in starting to make his own, including his upcoming mini series DEAD END KIDS coming out through the CE publishing deal.
When creating your comic, should you target the demo, sales and marketing strategy BEFORE creating the comic? Or the other way around? Heather and Jim tackle this listener question!
Con season has kicked off! Heather and Joey talk con tips for talking to editors, other creators, portfolio reviews, and making the most out of your con interactions.
Jim and Joey talk about different formats in comics and how to think about what format is right for your story. They talk about how Marvel’s streaming shows on Netflix and movies like Polar adapted from comics offer different format options.
Writer and Editor Heather Antos talks about the pros and cons of walking around at comic convention versus tabling, things to consider when you’re making that decision like if you have new work to sell, how to talk to a potential customer and turn them into a new reader, and her experiences from both sides … Read more
Selling your comic to a publisher, then retailers, then readers, or selling directly to readers digitally, or a crowdfunding platform… whatever route you go, you need to market your comic. Jim Gibbons talks about comics marketing pitfalls and planning.
Reilly Brown (Deadpool, Spider-Man, Lobo) talks about his process and approach on Outrage, his Webtoons webcomic that scrolls vertically, digital comics, print comics, and the business of making comics.
Fresh off her Comics Experience micro course, Heather Antos talks about WHY Kickstarter could be a fit for your comic, how to think about planning your campaign, and what to think about before you push “go.”
Nicole Boose (Marvel, Millarworld, freelance) shares five tips for hiring a freelance editor for your comics project. Goals, roles and convos to get your project moving!
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