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#170 – The Pros & Cons of Tabling Versus Walking Around at Cons

Writer and Editor Heather Antos talks about the pros and cons of walking around at comic convention versus tabling, things to consider when you’re making that decision like if you have new work to sell, how to talk to a potential customer and turn them into a new reader, and her experiences from both sides of the table.

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#169 – Things You Might Not Have Thought About When Marketing Your Comic

Selling your comic to a publisher, then retailers, then readers, or selling directly to readers digitally, or a crowdfunding platform… whatever route you go, you need to market your comic. Jim Gibbons talks about comics marketing pitfalls and planning.

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#168 – Reilly Brown on Digital Comics and Vertical Scrolling

Reilly Brown (Deadpool, Spider-Man, Lobo) talks about his process and approach on Outrage, his Webtoons webcomic that scrolls vertically, digital comics, print comics, and the business of making comics.

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#167 – Why Kickstarter for Your Comic

Fresh off her Comics Experience micro course, Heather Antos talks about WHY Kickstarter could be a fit for your comic, how to think about planning your campaign, and what to think about before you push “go.”

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#166 – Tips on Hiring a Freelance Editor

Nicole Boose (Marvel, Millarworld, freelance) shares five tips for hiring a freelance editor for your comics project. Goals, roles and convos to get your project moving!

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#165 – Scheduling Your Time

Jim Gibbons talks about scheduling for each step of the comics-making process, and really sitting down and doing the math. Working on creator-owned, work-for-hire, whatever your project, planning a schedule for/with your team is key to making deadlines.

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#164 – Finding the Humanity in Superheroes

Heather Antos talks about finding the humanity in superheroes, including her experience at Marvel with Deadpool and Gwenpool. And a preview of Heather’s 11/09/19 Comics Experience micro course Kickstarting YOUR comics.

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#163 – Setting Goals for Your Comics Project

What do you want? What are the steps do you need to get there? Are you willing to deal with the downsides? All this and more in setting your goals for a comics project.

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#162 – Anthology Pitching

What goes into an anthology pitch? Jim Gibbons talks about how to make sure your story is suited to an anthology, if it’s a complete story and more, including his time editing the anthology series Dark Horse Presents.

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#161 – Portfolios and Talent Scouting with Will Robson

Artist Will Robson (Typhoid Fever: X-Men, Spider-Man/Deadpool, Star Lord) talks about his portfolio goals over the years, getting hired by Marvel and working with editors like Heather Antos. Heather shares her tips for portfolios and talking to editors.

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